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Selected Commissions / Prizes
| 2008 |
Made Up, The Bluecoat, as part of the Liverpool Biennial |
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Tatton Park Biennial |
| 2007 |
Spike in the City, commission by Spike Island, Bristol |
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Artscouncil Individual Artist's Award |
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British Council Visiting Arts Award |
| 2006 |
The Man who Fell to Earth, commission by Heron Mill, Cumbria |
| 2005 |
Soul of the Lakes, Grizedale Arts commission for Cumbriana Proof, Coniston, Cumbria |
2004 |
Radio Nights, Artangel Interaction commission, a film made in collaboration with The Avenues in North London, The Gate Cinema, London |
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Mostyn Open, Oriel Mostyn Gallery, Llandudno, Wales, winner of the £6000 award |
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Enter the Barefoot Lone Pilgrim, performance as a hermit, Painshill Park, Surrey, commissioned by Danielle Arnaud & Parabola for Tempered Ground |
| 2003 |
Ya get me?, Artangel Interaction commission, a film made in collaboration with The Avenues in North London, that centres on the use of language inside subcultures |
| 2002 |
Beck's Student Prize for film & video, runner up prize winner, ICA, London |
| 1999 |
Medway Open, Gillingham, Kent, winner of £5000 award selected by David Thorp & Permindaur Kaur |
Forthcoming exhibitions / residencies
| 2007 |
About Turn, Kunstverein Braunschweig, Germany |
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Artsadmin Screening Programme, Artsadmin Studios, London |
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tank.tv DVD of selected video artists, distributed by Thames & Hudson |
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Artradio, exhibition & residency, Cornerhouse, Manchester |
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Artprojx at Greenland Street presents, Liverpool |
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The Communism of Form: Sound + Image + Time, Galeria Vermelho, São Paulo, Brazil |
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Extend Your Neck, Cafe Gallery Projects, London |
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100 Tage=100 Videos, Kunstvereine Gl Strand, Copenhagen, Denmark |
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Big Family Business, The IMÇ Buildings, Istanbul |
Solo exhibitions / projects
| 2007 |
Fortress of Solitude, Jerwood Platform for Artists, Cell Project Space, London |
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The Way of the Barefoot Lone Pilgrim, Platform China Project Space, Beijing, China curated by David Thorp, supported by The British Council |
Selected exhibitions / residencies
| 2007 |
16 Hour Museum, AIT, Tokyo, Japan |
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Köln Show 2, Vera Gliem Galerie, Cologne, Germany |
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Role Model, The John Institute, Zurich, Switzerland |
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Air Video, Air Space, Stoke on Trent |
| 2006 |
Media Attention, G39, Cardiff |
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IASPIS residency and Open Studio Event, Stockholm, Sweden |
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Street: behind the cliché, group show, Witte de With Gallery, Rotterdam |
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Because the Night, Artangel Interaction, Bethnal Green Town Hall, London |
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I don't know what else to do with myself!, Video Screening & discussion, AK28 Gallery, Stockholm, Sweden |
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The Mothership Collective, South London Gallery, curated by Harold Offeh |
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[Incorporaciones+Polesello] Recientes, Macro-Museo de arte contemporáneo de Rosario, Argentina |
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Kaleidoscope, screening, Whitechapel Gallery, London |
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Turtle, Chelsea Space, curated by Michael H. Shamberg |
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Represent, two person show at Gasworks, London |
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FILMPERFORMANCE, Modern Art Oxford |
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Kill your Timid Notion, Dundee Contemporary Arts |
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Culture Bound, VII East Wing Collection, Courtauld Institute of Art, London |
| 2005 |
Monitor, LOT, Bristol, curated by Sally Shaw |
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Adding Up, screening, Sous-Station Lebon, Nice, France |
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Thirteenth Raindance Film Festival, tank.tv showcase, London |
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Gasworks Gallery/Triangle Arts Trust residency at El Levante, Rosario, Argentina |
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About Time, Nordjyllands Kunstmuseum, Denmark, curated by Nikolaj Larsen |
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Cumbriana Proof Grizedale Arts, Cumbria |
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Projekt Migration, Kölnischer Kunstverein, Cologne, Germany |
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The Mind is a Horse (Part 2), Bloomberg Space, London |
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Astigmatic 2005 festival, Tank.tv, Gdynia, Poland |
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It is hard to touch the real, touring video archive, organised by Maria Lind, to Kunstverein Munich, Germany , Bildmuseet Umeå, Sweden; Yeans, Gothenburg, Sweden; Unge Kunstnerers Samfund UK, Oslo, Norway; Tallinn Kunsthalle, Tallinn, Estonia |
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Faltering Flame: Aspects of the Human Condition in Contemporary Art, Graves Art Gallery, Sheffield, curated by David Thorp |
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Biennale! Artist Film & Video, Temporarycontemporary Gallery, London, selected by Jananne Al-Ani, touring to Dashanzi International Arts Festival, Beijing, China, and Raum 3, Berlin |
| 2004-5 |
Romantic Detachment, residency & exhibition, curated by Grizedale Arts & The Henry Moore Foundation, PS1 Gallery, New York, USA & touring to Chapter, Cardiff, Wales; Q Gallery, Derby; Folly, Lancaster |
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New Contemporaries 2004, Liverpool Biennale & The Barbican, London 2004 |
| 2004 |
Ethnic Marketing, Centre d'art Contemporain, Geneva, Switzerland, curated by Tirdad Zolghadr |
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I almost feel like doing it again ¼ , K3 Project Space, Zurich, Switzerland, curated by Barnaby Drabble |
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Agora, Transition Gallery, London |
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Tempered Ground, Museum of Garden History, London, curated by Danielle Arnaud & Parabola |
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Body-Con: conscious bodies, A touring exhibition, various venues, Japan, curated by Roger Mcdonald, AIT |
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Itchy Park, art event, Limehouse Town Hall, London, curated by Emily Wardill |
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Art, Identity and the Unconscious in the Age of Transnationalism, Conference & film screening, Tate Modern, London, organised by the Freud Museum & The Slade, UCL |
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Volume, film programme, part of Commotion, organised by Picture This, Arnolfini and St. George's, Bristol |
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Artist's Films on Music Culture, National Film Theatre, in collaboration with the Hayward Gallery, London |
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Tape291 Video Open, 291 Gallery, London |
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Artist's Residency at Grizedale Arts, the Lake District |
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Emergency, Aspex Gallery, Portsmouth |
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Nothing If Not Satirical, The Nunnery, London, curated by Pryle Behrman |
| 2003-4 |
Domestico 03, group exhibition, Central Gallery, Madrid, Spain |
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Nothing Special, group exhibition, FACT, Liverpool, curated by Claire Doherty |
| 2003 |
Family Business, Pitzhanger Manor Gallery, London, curated by Matthew Poole & Danielle Arnaud |
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Lux Open 2003, Royal College of Art, London |
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Beck's Student Prize for film & video, selected by Sam Taylor Wood & Peter Saville, ICA, London; CCA, Glasgow; Edinburgh Festival & ArtSway, Sway |
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New Video, Galleria Morcilla, Barcelona, Spain |
| 2002 |
Someone must have been telling lies, Forde Espace, Geneva, Switzerland, curated by Ceri Hand |
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Deliberate Regression, Danielle Arnaud Gallery, London, curated by Vita Zamen |
| 2000 |
The Big Torino Arts Festival, Turin, Italy |
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Wooden Heart, AVCO Gallery, London |
| 1999-00 |
New Contemporaries 1999, part of the Liverpool Biennale, & Milch, London |
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River Deep, Mountain High, Gallery Westland Place, London and Duncan of Jordanstone Gallery, Dundee, curated by Kelly Taylor & David Risley |
| 1999 |
Temptation/Boredom, Outline Gallery, Amsterdam, The Netherlands |
| 1998 |
Originals#2, Kapil Jariwala Gallery, London |
Education
| 1995-98 |
Chelsea College of Art |
BA Hons Sculpture |
| 2001-03 |
Slade School of Art |
MA in Fine Art Media |
Private Collection
| Anita and Poju Zabludowicz Collection |
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